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This book provides a critical examination of structure and form in design, covering a range of topics of great value to students and practitioners engaged in any of the specialist decorative arts and design disciplines. The complexities of two-dimensional phenomena are explained and illustrated in detail, while various three-dimensional forms are also discussed. In the context of the decorative arts and design, structure is the underlying framework, and form the resultant, visible, two- or three-dimensional outcome of the creative process. Whether hidden or visually detectable in the final design, structure invariably determines whether or not a design is successful in terms of both its aesthetics and its practical performance. Hann successfully identifies various geometric concepts, and presents and discusses a number of simple guidelines to assist the creative endeavours of both accomplished and student practitioners, teachers and researchers.

Design --- Methodology. --- Philosophy. --- Méthodologie --- Philosophie --- 514 --- 72.012/013 --- 72.04 --- Patronen (architectuur) --- Tegels --- Creation (Literary, artistic, etc.) --- Methodology --- Philosophy --- Geometrie --- Symmetrie (architectuur) --- Vorm (architectuur) --- Ornamenten (architectuur)

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Het boek 'Het Zinderend Oppervlak. metselwerkverband als patroonkunst en compositiegereedschap' gaat over patroonkunst met baksteen.Het boek verdiept zich eerst in de traditionele metselverbanden en beschrijft het de systematiek van verbandspatronen. Vervolgens laat het zien hoe het verband met zijn stapeling, secundaire motief en bijzondere hoekoplossingen dienst kan doen als maat- en proportiesysteem voor de ontwerper. Daarna volgen de bijzonderheden van laag- en legpatronen om ten slotte te besluiten met andere steenformaten en nieuwe productie- en toepassingstechnieken van baksteen bekeken vanuit patroonkunst, reliëf en schaduwwerking.Baksteen – dat zware materiaal, dat zo... zwaarwichtig is. Maar als je diep graaft biedt het zoveel mogelijkheden. Het heeft altijd een schaal, en de afmetingen zijn verbonden met de menselijke hand die de stenen legt – daarmee bepaalt het de schaal zelf. En het kan gevormd worden, vormen kunnen worden samengesteld, de constructie wordt begrijpelijk – we weten allemaal hoe een boog in baksteen eruit ziet en hoe deze werkt. Maar met dit boek krijgen we ook toegang tot alle mogelijke variaties van patronen die gemaakt kunnen worden als we beginnen met ontwerpen. En het geeft de mogelijkheid om te werken met licht en schaduw, op zo’n manier dat het de massiviteit van het oppervlak ondersteunt. Dus stel je voor hoe het strijklicht op een zonnige morgen het rode, goedgeconstrueerde oppervlak aanraakt, zo mooi en expressief. Begin met en geniet van dit boek van een gekke kerel.

Building materials. Building technology --- geometric patterns --- brick [clay product] --- architecture [object genre] --- Architecture --- Baksteenarchitectuur --- 691 --- 691.4 --- Patronen (architectuur) --- 693.2 --- Bouwmaterialen; baksteen ; decoratieve patronen ; handboeken --- Bouwmaterialen (architectuur) --- Metselwerk --- Baksteen --- Metselwerk van baksteen --- Masonry. --- Brick bonds --- Brick buildings --- Brickwork --- Construction --- Bonds --- Brick bonds. --- Construction. --- Bonds. --- brick [clay material] --- Masonry --- Building, Brick --- Design and construction. --- Briquetages --- Maçonnerie --- Construction en brique --- Conception et construction

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As models and paradigms, patterns have been helping to orient architects since the Middle Ages. But patterns are also the basis of the history of ornament, an aesthetic phenomenon that links all times and cultures at a fundamental level. Ornament - and hence pattern as well - was abolished by the avant-garde in the first half of the twentieth century, but the notion of pattern has taken on new meaning and importance since the 1960's. Complexity research has ultimately shown that even highly complex, dynamic patterns may be based on simple behavioral rules, and that has allowed the notions of pattern and pattern formation to take on new meanings, that are also central for architecture. Today the use of generative computerized methods is opening up new ways of talking about an idea that is becoming increasingly abstract and dynamic. Pattern explores the question: what are the notions of pattern that must be discussed in the context of contemporary architecture? Complex patterns are founded on simple rules. Pattern and pattern formation are of new, important significance as the fundamental principles of systematization and description of very complex processes and phenomena. Which idea of pattern has to be used in the architectural discourse today?

Repetitive patterns (Decorative arts) --- Architecture --- Motifs (Art décoratif) --- Philosophy. --- Philosophie --- 72.01 --- 72.04 --- Patronen (architectuur) --- 72.013 --- 72:681.3 --- 7.013 --- Architectuur ; ornamentiek ; patronen ; 21ste eeuw --- Architectuurtheorie --- Architectuur (theorie) --- Ornamenten (architectuur) --- Architectuur ; proportie, symmetrie, harmonie --- Architectuur ; theorie, filosofie, esthetica --- Architectuur en computerwetenschappen --- Kunst ; verhouding, vorm, ritme, symmetrie --- Architecture. --- Repetitive patterns (Decorative arts). --- Motifs (Art décoratif) --- Repeat patterns (Decorative arts) --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Design and construction --- Decoration and ornament --- Pattern perception --- Art --- Building --- Philosophy --- Architecture, Primitive

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Houses are not just assemblages of individual rooms but intricate patterns of organised space, governed by rules and conventions about the size and configuration of rooms, which domestic activities go together, how the interior should be decorated and furnished and what kinds of household object are appropriate in each setting, how family members relate to one another in different spaces, and how and where guests should be received and entertained in the home. Decoding Homes and Houses introduces new, computer-based techniques designed to retrieve and interpret this wealth of social and symbolic information. The various representations and measures show how domestic space provides a shared framework for everyday life, how social meanings are constructed in the home and how different sub-groups within society differentiate themselves through their patterns of domestic space and lifestyles.

Architecture, Domestic --- Architecture and society --- Space (Architecture) --- Personal space --- Architecture domestique --- Architecture et société --- Espace (Architecture) --- Espace personnel --- Psychological aspects. --- Aspect psychologique --- Dwellings --- 728.01 --- Patronen (architectuur) --- 008 --- 13 --- 159.9 --- 159.92 --- Domiciles --- Homes --- Houses --- One-family houses --- Residences --- Residential buildings --- Single-family homes --- Buildings --- House-raising parties --- Household ecology --- Housing --- House plans --- Human territoriality --- Interpersonal relations --- Space --- Spatial behavior --- Architecture and space --- Space and architectural mass --- Space in architecture --- Architecture --- City planning --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Design and construction --- Social aspects. --- Wonen (theorie) --- Wonen (filosofie) --- Cultuur --- Cultuurfilosofie --- Psychologie --- Omgevingspsychologie --- Composition, proportion, etc. --- Social aspects --- Human factors --- Design and construction&delete& --- Psychological aspects --- Negative space (Architecture) --- 728.1 --- Woningbouw ; àGroot-Brittannië ; patronen ; modellen --- Woningbouw ; grondplannen ; plannen --- Woningbouw ; woonhuizen --- Arts and Humanities --- Architecture, Fine and Decorative Arts --- Architecture, Domestic - England --- Space (Architecture) - England - Psychological aspects --- Personal space - England - Psychological aspects --- Architecture and society - England